: Leans into "delirium" with dreamlike cinematography and high-emotion performances.
A fiercely independent and poetic firebrand who is deeply in love with her best friend. Lost and Delirious
For young women growing up in the early 2000s, before Obergefell v. Hodges, before Carol , before Portrait of a Lady on Fire , Lost and Delirious was one of the only cinematic representations of a lesbian relationship that was not sanitized for the male gaze or reduced to a punchline. It was messy, possessive, poetic, and achingly real. It gave a voice to the feeling that your first queer love was not just a crush, but an earthquake. : Leans into "delirium" with dreamlike cinematography and
The more reserved and socially conscious partner in their secret relationship. Lost and Delirious (2001) - IMDb Hodges, before Carol , before Portrait of a
: Mary acts as the observer, losing her own naivety as she is caught in the middle of her friends' self-destruction.