In the pantheon of rock and roll, few figures have shattered the glass ceiling with as much leather-clad ferocity as Suzi Quatro. Before Joan Jett, before Lita Ford, there was Suzi—the diminutive bassist with a giant growl who proved that a woman could front a hard rock band on her own terms. While her hit singles “Can the Can” and “Devil Gate Drive” dominate greatest-hits compilations, connoisseurs of 1970s rock know that her true artistic peak arrived with her fourth studio album: (1978).