Let’s address the elephant in the room. is a classic example of "unlicensed adaptation." In the 1960s, copyright laws were loose in Turkey. Studios would literally rip scenes from American and Italian films and splice them into their own movies.
The magic happens when these two styles collide. In one scene, İlyas might be trying to talk his way out of a beating (or accidentally knocking himself out), while Rıfkı dispatches five bad guys with spinning kicks. The film understands the strengths of its stars. It doesn't try to make Sunal an action hero, nor does it force Çoruh into a purely dramatic role. It lets them play to their strengths, creating a balanced dynamic where the audience gets both the laughter they expect from Sunal and the adrenaline they want from Çoruh.