Intermezzo is a sharp, compassionate autopsy of contemporary masculinity in crisis. Peter embodies the “successful man” as public performance: handsome, brilliant, sexually voracious. Yet this performance is a cage. He cannot cry at his father’s funeral; he can only analyze his inability to cry. His affair with Naomi (a 21-year-old college student he pays for sex, though the transactional nature blurs into something more tender and more damaging) is an act of self-annihilation. He uses her to debase himself, to confirm his belief that he is unworthy of the “real” love he still feels for his ex-girlfriend, Sylvia. Peter’s tragedy is that he has internalized the logic of the marketplace: he sees himself as a depreciating asset, his grief as a professional failure.

The story follows two brothers in Dublin navigating life after their father's death: Peter (32):

For the reader who wants another Normal People —a tight, linear, heartbreaking romance between two class-crossed young people— Intermezzo will be a challenge. It is slower, denser, and deliberately uncomfortable. There are no "good" people here. Peter is insufferable for the first 100 pages. Ivan’s relationship with a woman 14 years his senior is meant to make you squirm.