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From the classic Kallukkul Eeram (1980) to the modern blockbuster Varane Avashyamund (2020), the "Gulf-returnee" is a stock character. He wears too much gold, drives a flashy car, and speaks a strange mix of Arabic and Malayalam. He is simultaneously envied and mocked. The tragedy of the Gulf worker—loneliness, exploitation, the loss of roots—is explored with brutal honesty in films like Pathemari (2015), where a man sacrifices his entire life in a foreign land to build a house in Kerala that he never gets to live in. This tension between the global and the local, the modern and the traditional, is the axis upon which modern Kerala spins, and the cinema captures its wobble perfectly.
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The superstar Mohanlal’s iconic character in Kireedam fails because of a corrupt system, not personal weakness. In Sandhesam (1991), a satirical comedy, a family’s political rivalry between the communists and the Indian National Congress exposes the absurdity of ideological rigidity. Even today, films like Nayattu (2021)—a thriller about three police officers on the run—is an unflinching look at caste politics and the tyranny of the state machinery over the powerless. From the classic Kallukkul Eeram (1980) to the
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For a true understanding of Kerala, one must look beyond the tourist brochures. Read the novels of M.T. Vasudevan Nair, listen to the Ghazals of K.J. Yesudas, but most importantly, watch a Malayalam film from each decade. Watch the melodramas of the 60s, the radical art films of the 70s, the stellar star-vehicles of the 90s, and the neurotic, brilliant indie films of today.
Here’s why, along with what I can do instead: