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However, the true blended dynamic appears in the "Marmee" character. Gerwig portrays the mother not as a saint, but as a woman confessing to her daughter that she is angry every single day. This modern lens allows us to see the March household as a chosen structure. When Jo moves to New York, she creates a surrogate family with Professor Bhaer and her publisher. When Amy marries Laurie, she blends him into the remaining March unit.