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Studios are looking for "four-quadrant" hits—movies that appeal to men, women, young, and old. But more importantly, they are looking for franchises . We are living in the era of the "Connected Universe."
Popular entertainment is at a crossroads. Studios are being asked to do more with less. Production budgets are being scrutinized, yet audiences demand Stranger Things -level visual effects on every show.
The last decade has upended the traditional studio model. Netflix, Amazon, and Apple aren't just distributors; they are now primary production studios competing for Oscars and Emmys.
The last decade belongs to the streamers. These studios don't just produce content; they use data to tell you what you want to watch before you even know it.
Studios are looking for "four-quadrant" hits—movies that appeal to men, women, young, and old. But more importantly, they are looking for franchises . We are living in the era of the "Connected Universe."
Popular entertainment is at a crossroads. Studios are being asked to do more with less. Production budgets are being scrutinized, yet audiences demand Stranger Things -level visual effects on every show.
The last decade has upended the traditional studio model. Netflix, Amazon, and Apple aren't just distributors; they are now primary production studios competing for Oscars and Emmys.
The last decade belongs to the streamers. These studios don't just produce content; they use data to tell you what you want to watch before you even know it.