Oligoscan is an innovative medical device
Physiological imbalance screening. Non-invasive, no blood test needed.
Learn moreOligoscan easy to use
A quick evaluation of minerals and toxic metals in the palm of the hand.
Learn moreScreening of physiological imbalances helps better health control and trace minerals overall wellbeing.
Excess and deficiency in minerals
A risk of toxic metals poisoning
Responsible for aging and numerous other diseases
Instant measurements of minerals, trace elements, oxidative stress and toxic metals.
Oligoscan can be used by all health specialists allowing for rapid and pain free analysis.
The measurement is taken directly by a portable spectrometer connected to a computer
The technology is based on spectroscopy
Evaluation of trace minerals reserves, the level of oxidative stress and toxic metals
Non-invasive measurement taken in situ
The record provided allows for detection of trace elements and minerals deficiencies as well as high rate of toxic metals in the body.
Oligoscan is now used by health professionals in many countries as a solution whenever a quick and accurate analysis of the level of trace elements, minerals and toxic metals is needed.
The Oligoscan uses optical technology : spectrophotometry.
This is a quantitative analytical method of measuring the absorption or the optical density of a chemical.
It is based on the principle of absorption, transmission or reflection of light by the chemical compounds over a certain wavelength range.
Spectrophotometry is used in many areas : chemicals, pharmaceuticals, environment, food, biology, medical / clinical, industrial and others.
In the medical field, spectrophotometry is used to examine blood or tissue.
The Oligoscan is a reliable and scientifically proven tool..
A set of tests and comparative studies have been made by researchers highlighting a correlation between the results of the Oligoscan and those performed in the laboratory.
Arguably the most famous chapter. It analyzes the "No Score" trend in films like No Country for Old Men and Roma . It argues that the absence of the secret language is the loudest scream.
In the pantheon of cinematic arts, music is often the ghost in the machine. It is the invisible hand that guides the audience’s pulse, the silent narrator that whispers subtext into the viewer's ear, and the emotional anchor that turns a sequence of moving images into a profound experience. For aspiring composers, film students, and cinephiles, understanding this invisible art is a monumental challenge. This is why the search for resources like has become a rite of passage for those looking to decode the grammar of cinematic sound.
The book posits that film music is a code. For example:
Unlike a pop song, which relies on lyrics and a distinct verse-chorus structure, a film score operates on a subconscious level. It is a language of signifiers, emotional triggers, and structural counterpoints. The "secret" lies in the ability of a composer to manipulate an audience’s perception without them realizing it.
Free radicals are molecules produced in small amounts by the body. These free radicals are very reactive substances, capable of damaging the components of the cells (enzyme proteins, lipid membranes, DNA).
Their production is particularly stimulated by the exposure to sunlight (UV), tobacco, pollution, pesticides, etc.
A diet rich in antioxidants, particularly found in some fruits and vegetables, is essential in fighting free radicals.
Some scientific references :
Arguably the most famous chapter. It analyzes the "No Score" trend in films like No Country for Old Men and Roma . It argues that the absence of the secret language is the loudest scream.
In the pantheon of cinematic arts, music is often the ghost in the machine. It is the invisible hand that guides the audience’s pulse, the silent narrator that whispers subtext into the viewer's ear, and the emotional anchor that turns a sequence of moving images into a profound experience. For aspiring composers, film students, and cinephiles, understanding this invisible art is a monumental challenge. This is why the search for resources like has become a rite of passage for those looking to decode the grammar of cinematic sound.
The book posits that film music is a code. For example:
Unlike a pop song, which relies on lyrics and a distinct verse-chorus structure, a film score operates on a subconscious level. It is a language of signifiers, emotional triggers, and structural counterpoints. The "secret" lies in the ability of a composer to manipulate an audience’s perception without them realizing it.