Audiomodern Opacity Ii -kontakt- -
The sound of Opacity II is distinctly modern and "boutique." It avoids the clichéd, overly clean sound of many guitar libraries, opting instead for a gritty, organic, and highly processed aesthetic.
The instrument is built around two independent layers (A and B). Each layer hosts its own sample set, ADSR envelope, filter, LFO, and effects chain. This allows you to blend, for example, a brittle celeste with a subsonic bass rumble. The crossfader between these layers can be automated via MIDI CC, allowing for dynamic shifts in real-time performance. Audiomodern Opacity II -KONTAKT-
Where other libraries give you static samples, Opacity II gives you living sound . It combines multi-sampled acoustic sources, vintage synthesizers, field recordings, and processed textures into a single, cohesive instrument. The result is a toolkit capable of generating everything from delicate, icy pianos to roaring, dystopian drones. The sound of Opacity II is distinctly modern and "boutique
So, how can you incorporate Opacity II into your music production or sound design workflow? Here are a few ideas to get you started: This allows you to blend, for example, a
While marketed as a cinematic instrument, Opacity II is a sound designer's dream. Because the engine allows for extreme manipulation of the samples (reverse, loop crossfade, pitch shifting up to 3 octaves), you can create entirely new instruments.
has also been released, bringing the same iconic sounds to Audiomodern's own cross-platform engine. Key Features & Workflow The library is organized into 14 complete sessions
is a specialized boutique cinematic guitar library designed for film, television, and game scoring. It is available for the free Kontakt Player (v6.2.2+) and the newer Soundbox platform. Core Concept and Sounds
The sound of Opacity II is distinctly modern and "boutique." It avoids the clichéd, overly clean sound of many guitar libraries, opting instead for a gritty, organic, and highly processed aesthetic.
The instrument is built around two independent layers (A and B). Each layer hosts its own sample set, ADSR envelope, filter, LFO, and effects chain. This allows you to blend, for example, a brittle celeste with a subsonic bass rumble. The crossfader between these layers can be automated via MIDI CC, allowing for dynamic shifts in real-time performance.
Where other libraries give you static samples, Opacity II gives you living sound . It combines multi-sampled acoustic sources, vintage synthesizers, field recordings, and processed textures into a single, cohesive instrument. The result is a toolkit capable of generating everything from delicate, icy pianos to roaring, dystopian drones.
So, how can you incorporate Opacity II into your music production or sound design workflow? Here are a few ideas to get you started:
While marketed as a cinematic instrument, Opacity II is a sound designer's dream. Because the engine allows for extreme manipulation of the samples (reverse, loop crossfade, pitch shifting up to 3 octaves), you can create entirely new instruments.
has also been released, bringing the same iconic sounds to Audiomodern's own cross-platform engine. Key Features & Workflow The library is organized into 14 complete sessions
is a specialized boutique cinematic guitar library designed for film, television, and game scoring. It is available for the free Kontakt Player (v6.2.2+) and the newer Soundbox platform. Core Concept and Sounds