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In the early 2000s, public media was largely static—posters on bus walls and printed advertisements in train stations. The introduction of LCD and LED screens revolutionized this space. Suddenly, static images were replaced by moving targets. Transit authorities realized that they could use these screens not just for advertising revenue, but to inform, distract, and entertain a captive audience. The "tube" was no longer just a method of transport; it became a moving cinema, a news ticker, and a digital gallery.
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