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| Year | Milestone | |------|-----------| | | Born in Auckland, New Zealand to Samoan parents. Grew up in the suburb of Otahuhu, surrounded by a vibrant Pacific community. | | 2009–2012 | Completed a BFA (Photography) at the Elam School of Fine Arts , University of Auckland. | | 2013 | Awarded the New Zealand Arts Foundation Emerging Photographer Grant (NZ$10 000). | | 2015 | Relocated to Berlin, Germany , to join the artist collective Kollektiv 84 and deepen her practice in a global context. | | 2018 | Completed a residency at Künstlerhaus Bethanien (Berlin) where she developed the series “Tides of Home.” | | 2022 | Received the Pacific Arts Fellowship (NZ$20 000) to research Samoan visual traditions. | | 2024 | Appointed Visiting Lecturer in Contemporary Photography at the University of the Arts London (UAL) . | Trisha Kamapichasi Photos
| Aspect | Description | |--------|-------------| | | • Diaspora & Belonging – visual narratives of migration, home‑return, and cultural hybridity. • Ritual & Memory – re‑staging traditional Samoan ceremonies within contemporary settings. • Gender & Power – examining the roles of women in Pacific societies and the global art world. | | Aesthetic Approach | • Cinematic lighting – use of natural daylight combined with soft‑box setups to create a chiaroscuro effect reminiscent of classic portraiture. • Layered Composition – multiple exposures and digital collage to suggest temporal depth. • Color Palette – warm earth tones (ochre, rust, deep teal) punctuated by vibrant Samoan textile patterns. | | Technical Toolkit | • Primary camera: Phase One XF IQ4 150MP medium‑format system (for large‑scale prints). • Secondary: Leica SL2‑summilux for on‑location documentary work. • Post‑production: Adobe Photoshop & Lightroom , plus custom Processing Scripts (Python) for batch‑masking and texture overlay. | | Process | 1. Research & Oral History – interviews with community elders and participants. 2. Staging & Collaboration – co‑creating sets with Samoan weavers and costume makers. 3. Shoot – hybrid of staged portraiture and candid moments. 4. Print – archival silver‑gelatin prints (size up to 120 × 160 cm) on museum-quality baryta paper. | | Conceptual Framework | Kamapichasi often frames her work as a “visual archive” that preserves intangible cultural heritage while questioning its representation in global media. She references postcolonial theory (e.g., Homi Bhabha’s “hybridity”) and indigenous epistemologies. | If the individual is a professional photographer, their
Trisha is one of the few actresses to remain a leading star for 20+ years, recently starring in massive pan-Indian hits like Ponniyin Selvan . | | 2013 | Awarded the New Zealand
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