The VJ may use "jedi" imagery (cosmic entities, ancient ruins) but subject them to "speedcore" glitches—shattering the serene image in time with the distorted kicks.

When you get it right, the audience doesn't just hear the music. They feel the geometry of the kick drum fracturing their reality, only to be healed by the golden ratio of the arpeggiator. It is loud. It is bright. It is the sound of the binary stars collapsing and reforming.