PluralEyes didn’t just sync audio; it democratized filmmaking. Before 3.1, double-system sound was reserved for Hollywood crews with timecode slates and sound sync boxes. Version 3.1 gave a high school kid with a Canon T3i and a Zoom H1 the ability to create broadcast-quality audio sync with two clicks.
To ensure smooth operation, Pluraleyes 3.1 requires: Pluraleyes 3.1
Unlike earlier versions that were plug-in based, version 3.1 features a dedicated standalone interface for syncing media before moving it into an editor. Performance: PluralEyes didn’t just sync audio
PluralEyes didn’t just sync audio; it democratized filmmaking. Before 3.1, double-system sound was reserved for Hollywood crews with timecode slates and sound sync boxes. Version 3.1 gave a high school kid with a Canon T3i and a Zoom H1 the ability to create broadcast-quality audio sync with two clicks.
To ensure smooth operation, Pluraleyes 3.1 requires:
Unlike earlier versions that were plug-in based, version 3.1 features a dedicated standalone interface for syncing media before moving it into an editor. Performance: