In the end, "The Trouble with Being Born" is a film about the human condition - about the struggles we face, the choices we make, and the connections we forge. As we navigate the complexities of the 21st century, this film serves as a powerful reminder of the importance of empathy, compassion, and understanding. By sparking conversations and challenging assumptions, "The Trouble with Being Born" has become a landmark film of 2020, one that will continue to resonate with audiences for years to come.
A child born in 2020 entered a world already saturated with ghosts. By the time they learn to swipe a screen, their entire childhood will have been documented, data-mined, and fed into recommendation engines. On ok.ru—a platform known for its archives of Soviet-era films, vintage music, and, ironically, Cioran’s PDFs—this child will one day search for meaning. They will find instead a collage: grainy uploads of their first birthday, a meme comparing their birth year to a dumpster fire, and a philosophy forum where bitter adults debate whether 2020 babies are “post-apocalyptic by design.” the trouble with being born 2020 ok.ru
One of the primary concerns of the film is the objectification of women and the exploitation of technology to fulfill human desires. Elli, the protagonist, is a complex character whose relationships with her android companion and her human surroundings are fraught with tension and ambiguity. Through Elli's story, Hausner critiques the societal expectations placed on women and the ways in which technology can both liberate and oppress individuals. In the end, "The Trouble with Being Born"
Furthermore, the trouble is ontological. Cioran believed that consciousness was the original sin. The 2020 child is born into a consciousness already externalized. They do not need to discover death; they watch it in 4K on ok.ru as their grandparents’ memorial pages fill with flower emojis. They do not need to discover absurdity; they see their own birth year become a meme for catastrophe. To be born in 2020 is to be born after the end of the world—not with a bang, but with a push notification. A child born in 2020 entered a world
One of the primary concerns expressed by OK.RU users was the film's portrayal of Elli, who they saw as a symbol of moral decay and societal collapse. Some users argued that the film's emphasis on Elli's relationships with her android companion and her human surroundings was a reflection of a broader societal problem, namely the erosion of traditional values and moral norms.
The trouble with being born in 2020 is not that life is suffering. It is that even suffering has become a social media post. And ok.ru—that digital mausoleum—will be there to archive it all, long after the child grows up, long after they delete their account, long after they realize that Cioran was right: the only thing worse than being born is being born online .