Figuras Literarias Del Poema Masa De Cesar Vallejo [updated] Info

In conclusion, the literary devices in “Masa” are not ornamental flourishes but the very engines of the poem’s meaning. Hyperbole elevates a simple act of mourning into a cosmic event. Anaphora gives the collective voice a ritualistic, unstoppable rhythm. Prosopopoeia grants the dead a responsive interiority, making resurrection a dialogue rather than a miracle. Paradox forces the reader to accept a new definition of life and death based on community. And sensory imagery makes this new reality palpable. Vallejo’s genius lies in using these devices to turn a poem about a dead soldier into a universal manifesto: that no one is truly dead as long as they are held by the mass of humanity. In “Masa,” the ultimate literary device is love itself—the one figure of speech that, Vallejo suggests, can literally bring the dead back to life.

Aquí tienes un desglose de las principales figuras literarias que dan vida a este poema: 1. Repetición y Paralelismo figuras literarias del poema masa de cesar vallejo