Tamil cinema, affectionately known as Kollywood, has undergone a massive technological renaissance over the last decade. From the thundering baseline of Anirudh’s music to the whisper-quiet dialogues in a Mani Ratnam film, sound design has become half the cinematic experience. But to truly appreciate the work of composers like A. R. Rahman, G. V. Prakash Kumar, or Santhosh Narayanan, you cannot rely on standard stereo audio.
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