Cinematographer paints Mumbai with a neon‑lit palette reminiscent of 2010s “street‑style” aesthetics. Night scenes are bathed in blues and magentas, while the action sequences employ high‑contrast lighting to emphasize motion. The production design—especially the set pieces for the film studio and the villain’s lair—are deliberately exaggerated, creating a comic‑book feel.
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The background score stays on the pulse of the action, with heavy percussion during fight scenes and softer strings for the romance beats. The only drawback is that the soundtrack leans heavily on familiar musical tropes, so it may feel derivative to seasoned listeners. If you're interested in watching "Nobody Can Cool,"