Enter Bane, played with terrifying physicality and unsettling intelligence by Tom Hardy. Covered in a muzzle-like mask that distorts his voice into a strange, almost aristocratic growl, Hardy’s Bane is not a clown or a schemer. He is a revolutionary. Where the Joker wanted to watch the world burn for chaos’s sake, Bane wants to tear down the established order to purify it through suffering.
The Dark Knight Rises is not the best Batman film. That remains The Dark Knight . But it is the most ending. It honors the rage of Batman Begins and the moral chaos of its sequel by concluding with something radical for a blockbuster: hope. The Dark Knight Rises
This peace is shattered by the arrival of (Tom Hardy), a merciless masked terrorist and former member of the League of Shadows. Bane’s goal is to fulfill Ra's al Ghul's original mission: the total destruction of Gotham. Forced out of retirement, Batman returns, but he is swiftly defeated by Bane and thrown into "The Pit"—a legendary underground prison. While Gotham falls under a brutal siege and the threat of nuclear destruction, Bruce must rediscover his will to live and his fear of death to "rise" and save his city. Where the Joker wanted to watch the world
Stepping into the antagonist role following Heath Ledger’s Oscar-winning performance was an unenviable task. Tom Hardy’s Bane is a stark contrast to the Joker. Where the Joker was an agent of chaos, a man with no plan who "just wanted to watch the world burn," Bane is a revolutionary, a tactical genius, and a physical tank. But it is the most ending